Target Fall Bass with the Spark Shad Swimbait

Professional bass angler Chris Zaldain nails it when he says new school grubbing is a finesse swimbait rigged on a ball head jig. Unlike grubs, anatomically accurate baits like the Megabass Spark Shad closely mirror baitfish in appearance and motion while allowing anglers to cover the water column with speed and efficiency.

Although they work anytime, Chris emphasizes the effectiveness of finesse swimbaits during abrupt seasonal and weather changes, the onset of fall being case in point. Negative fish still eat these realistic baits when others fall short, and the sharp single hook provides excellent hookups.

Additional content includes key rigging points, his two primary retrieval methods, and preferred rod and line setup that blends finesse, sensitivity, and power.

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-Megabass Spark Shad:
https://megabassusa.com/product/megabass-spark-shad-3-paddletail-swimbait/

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ABOUT US:
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The birth of Megabass in the U.S. is the stuff of legend, involving a cross-country trek in the early 90’s, in which the Megabass designer/CEO Yuki Ito challenged pro staff of local stores and area pros to one-on-one fishing duels. The rules were simple: if Yuki Ito won, the store had to buy his lures; if the U.S. angler won, then Yuki had to buy local tackle from the store. This “put your money where your mouth is” approach, combined with the quality and flat out fish-catching ability that was evident in Yuki’s handcrafted Megabass equipment, succeeded in convincing stores to take on this premium imported tackle.

Today Megabass still embodies that daring spirit. Each product is a painstaking marriage of handmade form and technological innovation. Megabass strives to capture the same care, quality, and attention to detail embodied by the handmade tradition. In a modern age dominated by CAD and mass production, every Megabass lure is based on a hand-carved Yuki Ito original. Each stage of the development process is closely monitored with exacting quality controls to ensure that the mechanical process of production does not whitewash the integrity of the original.

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